The audience was left hungry for more suspense after the celebrity nail Finalser had to visit the ultimate murder mystery, suggested by its new director.
OLA SIRTE directed Agatha Christie’s Inimitable, the longest running in the world, which was in 73 years at the end of London. The director, who is recognized for his pracing takes on Shakespeare, said Christie’s Drama about a group of strangers who snowed in a big killer “juicier” than he imagined.
“In life we are all good to ourselves as detectives,” said the instrument. “He creates such characters and quirky characters that you want to get to know them and know the ins and outs of people you care about more now.
SIRIKO, 36, said that when he directed a classic play like Othello, Romeo and Juliet Millers, that it was known to be the cause of myself. These listeners are the ones who know what they know. Before I knew what they knew. Before I knew it was the real way. This is what you own in a show. These listeners want it to be the cause of myself. These listeners are the ones who know what they know. Before I knew it was the real way. Thought I knew what this night was really about. “
He discovered, however, that Christie was an infe and perhaps overlooked commentator on the postwar class structure. “With John Osborne, everyone talks about how people who work on the stage do mundane things like ironing [in Look Back in Anger, which premiered in London a few years after The Mousetrap]. But at the end of ACT 1 scene 2 he got it [proprietor of the guesthouse] Mollie Ralston Hoowing. That’s also pretty radical! It is easy to forget that he is commenting on the changes taking place hierarchically. The upper classes are gone and there is a desire for equity … the play says a lot about injustice and change that needs to happen. “
When Mousetrap opened in 1952, the West End Cast included Richard Attenborough as the detective alongside the actor’s wife, Sheila Sim, as Mollie. The first director was Peter Cotes. Later directors included David Turner who worked on the show in various capacities for 30 years. The incense is taken from Philip Franks. Mousetrap also has a managing artistic director, Denise Silvey, who played the role of Miss Caselwell in 1994 and 2001.
A new phase begins with performances under the direction of incense on Monday night. Among the changes introduced that “enhance the existing” is a sound design by Max Perryment “to improve the psychology of the game and its enjoyment”. The production thus has new speakers, the furniture has been organized and the incense has returned to the original notes in Christie’s manuscript. Balancing the comic with the serious is one of the main challenges, says its new director.
The mousetrap is very much dominated by men although Phyllida Lloyd fought at the 60th anniversary Gala. “She’s my theater mom,” the instructor said with a laugh. The sensation is the International Associate Director of the Tina Turner Musical directed by Lloyd in the West End. “We had some good chats about the mousetrap.”
The show has racked up more than 30,000 performances since its debut, a run that was only temporarily halted by Covid-19. As with most of Christie’s novels, which contain offensive language around gender and race that readers are sensitive to, the script has been changed over the years. “I came up with a version of the game that doesn’t have a very human language, but at the same time I’m careful because of the time,” said the instrument. “I don’t want to offend an audience but if you do everything a little cleanly clean then you can avoid being a herring shovel. Or you can be careful to be careful that you don’t do it.”
Since 2017, a production of Christie’s testimony for the prosecution has been running in an in-court setting. County Hall in London. But people still classify Christie as a novelist, said the instrument. “I love people to celebrate him as a player.” At times, on top of the amazing mousetrap run, it is the only game played by a female player in the west. He’s still in the minority now that the catate of Trefry has a hit with stranger things: the first shadow and Suzie Miller’s Inter alia coming soon. “I think there are peaks and troughs when it feels like the world is a little more diverse,” Instrumental said. “Then it’s different from being separated because they’ve been doing that for a while. It’s amazing that Agatha is so strong but it’s sad that we never got through [greater equality] now – or did it in Dribs and Drabs. “
The producer of Mousetrap, Brian Fenty, said that he was “thrilled” about leaning on the show, which runs with the ambassadors of Next Door). “Ola is a force of nature – a director who understands what it means to be a steward of history and his care is first class, and his care is first class, and his care is first class, and his care is first class, and his care is first class.